Survival of the Film Freaks is a documentary exploring the phenomenon of cult film in America and how it survives in the 21st Century. Through interviews and fan events, the documentary will trace decades of film fanaticism up to the present, where the 'digital age' has transformed the way we experience movies.

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

宝丽来纪录片 　　In February 2008, Polaroid announced that it was ceasing production of instant film. 'Time Zero' is a documentary that tells the story of the last year of Polaroid film in three acts. Act I introduces the 'magic' of Polaroid through the perspective of Polaroid artists and former employees of the corporation. Act II begins with the discontinuation of instant film and covers the grass-roots movement to keep it alive. Act III centers on 'The Impossible Project' and follows their against-the-odds effort to reinvent instant film. -- IMDb 剧情简介: TimeZero: The Last Year of Polaroid Film (2011)

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

“把小说变成音乐的组合”YOASOBI的实况影像作品集。2021年2月在新宿米兰座旧址的施工现场举办了首次配信的个人演唱会“KEEP OUT THEATER”。2021年7月与优衣库“UT”合作举办的同时在线人数达到28万人的优衣库有明总部内UNIQLO CITY TOKYO的直播“SING YOURWORLD》。收录了2021年12月在武道馆2天举办的首次有观众演唱会《NICE TO MEET YOU》(2021年12月5日公演影像)的3场演唱会。此外，还收录了2021年12月12日(星期日)播出的纪录片《情热大陆》(MBS·TBS系)的加长版。

暂无剧情简介

In this third volume of the Best of Tromadance, viewers can sample fifteen of the best films from the 2003 and 2004 Film Festivals totally over three hours. Titles include Giuseppe Andrews' "Dribble;" winner of the Tromadance / Kodak Independent Soul Award, Kevin Maher's "Monkey Brains," "Kung-Fu Kitties" and "Marijuana's Revenge" by the filmmaking team of Philip Gunn, Daniel Guiterrez and David Valdez. Also included are Matt and Greg Brookens' "Skunk Ape!?," Jamie Greco's "PDA Massacre" and others.